Essays · On Learning

Notebooks aredoing somethingscreens never will.

After a decade of tablets and styluses, we went back to paper with 140 eighth-graders and measured what changed.

By Sasha Park · Head of Research

People taking notes around a sunlit wooden table

When the first iPad rolled into our middle school in 2014, I was the teacher most likely to say it was the best thing that had ever happened to a Tuesday. Eleven years later I hand every incoming eighth-grader a hardcover Leuchtturm and a fountain pen, and I do not apologize for it. This essay is the long version of why.

The short version is that learning is a physical act. When we forget that, we build tools that feel like magic and work like forgetting.

What the screens gave us

The tablets did real work. Parents could see grades the same day. Shy students posted in chat threads they would never have raised a hand for. Writing became easier to revise, and for a year or two, essays got longer.

What we missed, and what the data finally made impossible to ignore, was that longer is not the same as better remembered. Six months after each unit, recall on screen-written work was about 40% lower than recall on the handwritten counterpart. The gap widened for material the students said they disliked writing by hand.

The hand is slower than the keyboard, and the slowness is the point. It forces a decision about what deserves to be kept.

Dr. Naomi Ortega Cognitive scientist, Stanford GSE

What the notebooks gave us back

When we switched back, three things we had not even been measuring started showing up on the tests: the students began drawing diagrams in the margins on their own, they started writing each other’s names next to quotes they liked, and the word boring stopped appearing in exit tickets. It did not vanish from their lives — but it left the class.

What I think happened is that the paper was quieter than the tablet, and in the quiet the students could hear themselves working. I am not a cognitive scientist, but I am the person who has to read 140 essays every two weeks, and I can tell you: these ones sound like their authors.

Woman in a striped shirt, studio portrait

About the author

Sasha Park

Sasha teaches eighth-grade humanities at Kestrel Academy and runs the research program that turned into this essay. Before teaching she was a science journalist at Nautilus and Aeon.

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